Today was a nearly perfect Spring day in Atlanta . It was a little cloudy but damn near
perfect otherwise, considering especially that it is in fact January and should
seem anything other than like Spring!
Tonight is even better, complete with a warm, tentative rain and a
strange sticky fog creeping through the street light. If I could coax a lightning storm out of
these clouds, this pristine illusion would be absolute. The weather is making me anxious (in a good
way) for the actual changing of the seasonal guard – pitchers on patios, street
festivals and early pollen clouds. As per my usual, that’s not exactly what I
sat down to write about. I want to talk
about art.
I’ve been busy. My
studio is overflowing and I don’t see an end in sight honestly. I feel good about what I’m doing now and the
flurry I produced towards the end of last year as well. Most of these pieces are making their
internet debut but I have posted snippets here and there along the way. At the
risk of sounding overly thus, I am proud of the work and I am starting to
finally feel comfortable calling it “the work”.
For the first time in a long time this weekend, I sat down and looked at
the canvas I had just finished and thought, “Damn. That doesn’t suck.” Admittedly, there are a couple here and there
that I monkeyed with for weeks before I could call them finished and one or two
I’m still not sure about. One in
particular is a lot heavier than the others – not in a spiritual sense mind
you. It is physically heavier due to the excessive amount of paint applied
again and again and again and yet again until I was convinced. I’m cool with that.
Someone asked me once how I title my paintings. I didn’t
have and still don’t have a solid answer to that question. I typically have an idea in mind when I
initiate a new canvas, but I don’t always and don’t think I should completely
know what the hell I’m going to do when I sit down or stand up to paint. If there is any redeeming value to what I do
it is that it is 95% instinctual. I let
the paint tell me what it wants to be.
That sounds like a steaming pile I know, but it is in fact accurate. Ideas are never fully developed if they
simply remain ideas – the beauty of making art for me is the making of it. I’m rarely as satisfied with the finished
product as I am with the process of making it.
If I have even a vague idea of what I want to say on the canvas, it will
reveal itself eventually. As such, these
are all working titles. The fact of the
matter is that giving them titles at all is the height of arrogance on my
part. In an ideal world, whatever it is
that you see in the piece is its name.
As I’ve said before, I’m a complete hack when it comes to
photographing art – my apologies. If you
like these pieces check out more mediocre photographs of my art at johncstantzart.com. (Eventually I will update my website, but
posting them here was a lot easier tonight.)
Not that you would feel any different if you were to do so, but I urge
you to come see what I do in person. You
can’t appreciate any art (however debatable you might think that description of
what I do is) unless you see it face to face.
My door is always open.
written
11.17.2012
11” x 14”
acrylic on canvas
$75.00
face
11.28.2012
10” x 10”
acrylic on canvas
$50.00
bloodshot
11.21.2012
12” x 12”
acrylic on canvas
$65.00
dialogue
12.05.2012
11” x 14”
acrylic on canvas
Not For Sale
morning
12.16.2012
24” x 12”
acrylic on canvas
$150.00
solar
01.19.2013
16” x 20”
acrylic on canvas
$160.00
overlap
01.20.2013
12” x 36”
acrylic on canvas
$215.00
firefly
01.21.2013
12” x 36”
acrylic on canvas
$215.00
clarity
01.26.2013
36” x 24”
acrylic on canvas
$450.00
01.27.2013
24” x 36”
acrylic on canvas
$500.00
So this is what I’ve been up to since festival last. Hopefully, there will be at
least ten more before the next one.
Speaking of, the next time I’ll be public is Inman Park
in April (though it’s yet to be official).
I hope to do at least eight ATL festivals this year and I hope to see you all
at every one. Meantime, Go. Make. Art.
It is necessary and important.
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